Stupid to say the Indian style was copied, says Vasay Chaudhry about Pakistani cinema

In a recent episode of Ahmad Ali Butt’s Excuse Me Podcast, Vasay Chaudhry, a renowned Pakistani actor and writer, discussed various aspects of the film industry, sharing insights on the historical connection between Pakistani and Indian films, his critique of award shows, and reservations about inviting bloggers for film previews.

Chaudhry highlighted the shared history of a united India in 1947 and emphasized that both Pakistani and Indian films emerged from this common background. He rejected the notion that Pakistani films were copying Bollywood, stating that Pakistani cinema is an extension of Indian cinema, with both cultures sharing common elements.

Regarding award shows and item numbers, Chaudhry expressed criticism, particularly opposing the inclusion of item songs in films. He discussed the term “item number,” mentioning its origin in India and how Pakistan adopted it. He questioned the need for such elements in Pakistani cinema and advocated for a reevaluation of their inclusion.

Chaudhry also addressed the presence of songs in Pakistani films, noting that songs have always been a part of the country’s film culture. However, he suggested that overexposure and sensationalist elements, such as random kisses, should be avoided.

One intriguing aspect of the discussion focused on Chaudhry’s reservations about inviting bloggers for film previews. He questioned the benefits to filmmakers, pointing out that bloggers often attend screenings for free and sometimes provide negative reviews despite enjoying the privilege. Chaudhry emphasized the disconnect between social media hype and a film’s actual box office performance. He suggested a reconsideration of relying on social media influencers for film promotions.

Chaudhry’s candid insights shed light on the complexities within the Pakistani film industry, addressing cultural influences, award show structures, and the impact of social media on film promotion. His perspectives provide valuable reflections on the evolution and challenges faced by the dynamic world of Pakistani cinema.